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MAKING MOVIES ON YOUR OWN:
PRACTICAL TALK FROM INDEPENDENT FILMMAKERS


These first two chapters are excerpted from the book, MAKING MOVIES ON YOUR OWN (McFarland & Company Publishers, ISBN 0-7864-0517-1, sewn-softcover, $29.95, copyright 1998 Kevin J. Lindenmuth).

Foreward by Ted V. Mikels

If there was anything to read or study prior to making a film or video it would be Kevin Lindenmuth's book, a compilation of the works of a number of filmmakers in addition to the down-to-earth and matter-of-fact approach expounded by Kevin himself. Nowhere in my nearly fifty years of independent filmmaking have I seen or read anything so correctly spelled out in agonizing detail of what is experienced by those creative and dedicated souls who make the attempt to put their genius onto film or videotape.

I am asked constantly, when lecturing at colleges or film schools, how does one get started in making a film? There is no one answer that covers all, but in the reading of Kevin's book, you will experience an eye-opening adventure into the process. There is required, above all, a determination that knows no bounds, and you will be taxed beyond what you could imagine. Finding a way to put your story or script into a cohesive film or video is merely the first step in a long walk to completion and a measure of success.

The words of those who contributed to Kevin's book are so rare that you may have never heard them before. That is due to the fact, that unless you make a film or video yourself, you cannot possibly imagine what you may be called upon to do. You may be the Director, or the Producer, possibly also the writer, but be prepared to perform every single thing you cannot afford to pay someone else to do.

Independent filmmakers NEVER have enough money to do all the things they want to in their film. Some talented people who commit to you to stay with you throughout the production may suddenly face conditions beyond their control, and have to leave the show. That is to say "Leave you holding the bag". You must learn all you can about every phase of the filmmaking process, as you may in fact be called upon to perform the necessary service at any time. It may be in lighting, sound recording, make-up, cinematography, special effects, cooking (yes, cooking to feed your crew), truck driving, or any other of 300 jobs utilized in the filmmaking process.

In Kevin's book, I read almost every word that has ever come out of my own mouth, relating to the difficulties encountered in making a film. I have always stated, "THERE ARE THREE THINGS THAT ARE IMPORTANT IN THE MAKING OF A FILM", and I will relate them here in the order of their difficulty.

The first and most difficult is raising the money. The second most difficult thing is getting the money back. The third thing, and the easiest, is the actual making of the film (The first two prerequisites are so difficult, it makes the making of the film amazingly simple).

In actual fact, you may have to make do without raising the money, making the film on a total shoe-string or without money, as I have had to do many times. Then you encounter the criticisms when your film is then compared with those costing millions of dollars. Unfair, but who says anything in the world is fair? Then, you may never experience getting back any dollars at all from your production, even though many othe entities and businesses may make a lot of money from selling and marketing it. However, take hope. You can always entertain yourselves and close friends by showing your film in your own home late at night. "PUT SALT AND PEPPER ON IT AND EAT IT", they used to say in Hollywood, where I spent nearly thirty years. The celluloid (film) tastes better that way. I will say that if you are determined to the point where nothing can deter you in your obsession to make fiml, "LET NO POWER ON EARTH STOP YOU".

Do yourself a big favor, and read then re-read Kevin's book. There is a wealth of factual and valuable information in it. I would suggest that it is an absolute "MUST READ" for anyone attempting to make a film or video production. Those who have already done so will identify with every word and savor the memories.

Ted V. Mikels, Director, Producer, Writer,
Cinematographer, Editor, Distributor,
Otherwise known as a "Filmmaker".

Ted V. Mikels is the director of such films as ASTRO ZOMBIES (1969), THE CORPSE GRINDERS (1971) and DOLL SQUAD and is currently in production on DIMENSION IN FEAR and THE CORPSE GRINDERS II.

INTRODUCTION

As a kid I always knew what I wanted to do when I "grew up": make movies. I think this was primarily because I was subjected to so many films, particularly horror movies, when I was very young. In fact, the first movies I remember seeing were a double feature of THE CORPSE GRINDERS and THE UNDERTAKER AND HIS PALS. Then there was the PLANET OF THE APES and DR. PHIBES movies at the drive-in with my father and all the horror tv hosts on Saturday nights. For years I thought that Captain Kangaroo was really the Phantom of the Opera-like DR. PHIBES (they do look alike!) and it always puzzled me why he didn't talk through that hole in his throat to Mr. Green Jeans. That was simply television, I thought.... And if it wasn't for my grandmother, a big horror fan herself, I probably wouldn't have been able to get into the theatres to see the early FRIDAY THE 13TH movies.

I began making short "epics" with my family's Super 8mm camera in elementary school and continued shooting films in High School and as a Film/Video Studies major at the University of Michigan in Ann Arbor. I also worked at a Public Access Television Station during college, where the public was at the mercy of the films I would make for classes and subsequently air on the channel. I think my films received the most viewer complaints that year because they'd air them after religious shows and catch all those particular viewers off guard. After I graduated from college I moved to New York City as I couldn't afford to move to California at the time. I landed jobs as production assistant on a few independent films I can't even remember the names of, then started in the video production industry because work was readily available, though I always wanted to shoot narrative films. Then, one day I decided I had to make that first feature, VAMPIRES & OTHER STEREOTYPES. This was to be followed by the anthology TWISTED TALES, another feature, ADDICTED TO MURDER, and THE ALIEN AGENDA series.

In talking to the dozen or so other filmmakers whose ideas, attitudes, and experiences you will also read about in the following pages, I discovered that they make films for the very simple reason I do: they have to. It is the one medium that enables them to express themselves in a way no other medium quite satisfies. Through film and video they can literally create something from their imagination and then show it to people, whether it be to enlighten, entertain, or disturb Although some may maintain that they're simply making films they want to see and that no one else is creating--and that it's incidental if other people view them--these filmmakers DO want audiences to see their work, not only because it will give them incentive to move on to the next project but because they want to share whatever is was that drove them to make the movie in the first place --I know, I'm one of those filmmakers--I want to disturb and entertain you all. And incidently, finishing your first film, second film, third film, may pave the way for your filmmaking career.

In the following chapters I'll give you my two cents on movie- making, mostly by comparing and contrasting my projects. In addition, two dozen other independent filmmakers will give their invaluable advice on making a feature length movie, whether it be a horror film, comedy, or drama, sharing their successes and mistakes.

Also, I want to thank these filmmakers who've contributed their insights to this book and the overwhelming response they had in its creation. They are:

  • Jeffrey Arsenault (NIGHT OWL, DOMESTIC STRANGERS)
  • Steve Ballot (THE BRIDE OF FRANK)
  • Howard Berger (ORIGINAL SINS)
  • Ron Bonk (CITY OF THE VAMPIRES, THE VICIOUS SWEET, STRAWBERRY ESTATES)
  • J.R. Bookwalter (DEAD NEXT DOOR, SANDMAN, POLYMORPH)
  • Gabriel Campisi (THE LAW, SHADOWDANCE)
  • Ronnie Cramer (BACK STREET JANE, EVEN HITLER HAD A GIRLFRIEND)
  • Ron Ford (ALIEN FORCE, THE ALIEN AGENDA: ENDANGERED SPECIES)
  • Hugh Gallagher (GORGASM, GOROTICA, GORE WHORE)
  • Mike Gingold ( )
  • Matt Howe (ORIGINAL SINS)
  • Evan Jacobs (WALKING BETWEEN THE RAINDROPS, THE TOLL COLLECTOR)
  • Michael Legge (WORKING STIFFS, LOONS, POTENTIAL SINS)
  • Mick McCleery (THE KILLING OF BOBBY GREENE, DON'T WATCH THIS SHOW)
  • Scooter McCrae (SHATTER DEAD)
  • Blair Murphy (JUGULAR WINE)
  • Mark & John Polonia (SPLATTER FARM, SAURIANS, FEEDERS, TERROR HOUSE)
  • Tim Ritter (TRUTH OR DARE, WICKED GAMES, CREEP, SCREAMING FOR SANITY)
  • Eric Stanze (THE SCARE GAME, SAVAGE HARVEST, ICE FROM THE SUN)
  • Nathan Thompson (CONTACT BLOW)
  • Tim Thomson (NO RESISTANCE)
  • Doug Ulrich (DARKEST SOUL)
  • Tom Vollmann (DEAD MEAT, THE ALIEN AGENDA: UNDER THE SKIN)
  • Gary Whitson & WAVE PRODUCTIONS

    It's unanimous that this book is a long overdue resource.

    Kevin Lindenmuth
    Brimstone Media Productions, LLC
    1998

    REVIEWS:

    "Practical advice for the low-budget filmmaker…the author, a working filmmakers, has gathered two dozen colleagues to answer basic questions about budgets, scripts, publicity, and distribution."
    Library Journal

    "for anyone with the guts…to make films on a shoestring budget, this book should be of considerable help. The Resource Directory, in particular, is of interest"
    Classic Images

    "the indie directors featured provide a virtual how-to"
    Alternative Cinema

    "An interesting read, especially if you are a video buff."
    Public Library Quarterly

    "NYC filmmaker Lindenmuth asked 25 other low budget indy regional directors a series of questions and assembled the candid responses"
    Psychotronic

    "If you ever wanted to make your own movie but didn't know where to start, start here. This is an amazing jump-startish, self-help book."
    Fright X Magazine

    "Expect lots of great advice and the opportunity to learn from the mistakes and experiences of working filmmakers. Maybe the best book of its kind, this one should not be missed."
    CYBER FILM SCHOOL - CyberFilmSchool.com

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